{"id":560652,"date":"2023-08-09T23:25:23","date_gmt":"2023-08-10T04:25:23","guid":{"rendered":"https:\/\/needmoretv.com\/shows-like-habe%27er-2020\/"},"modified":"2024-03-17T14:12:22","modified_gmt":"2024-03-17T19:12:22","slug":"shows-like-habe%27er-2020","status":"publish","type":"post","link":"https:\/\/needmoretv.com\/shows-like-habe%27er-2020\/","title":{"rendered":"Shows Like HaBe’er (2020)"},"content":{"rendered":"\n
8.2 \/ 10<\/strong> (based on 7 reviews)<\/p>\n\n\n\n<\/div>\n\n\n\n Four geeky fantasy buffs will have to become the heroes to save their town from unimaginable danger. The story begins one moonlit night when our heroes are pranked by their class bully and find themselves all alone in the forest surrounding the town. If that’s not enough, they accidentally open the lid of a mysterious well and sets free a supernatural being that was never supposed to get out. When in the following days weird and spooky things start to occur all over the town, the four friends begin to recognize the connection between that and the opening of the well and realize that only they can fix whatever it was they did. That eventful night in the forest is the beginning of a mysterious adventure far beyond anything they could have imagined.<\/p>\n\n\n\n\n\n Genre:<\/strong> Drama, Fantasy, Mystery<\/p>\n\n\n\n\n\n Main Cast:<\/strong> Romi Aviram, Alma Cavallero, Noam Frank, Yiftach Samucha 1 season, 6 episodes, 25-minute runtime<\/p>\n\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n 8.7 \/ 10<\/strong> (based on 559 reviews)<\/p>\n <\/div>\n \n\n \n A comic series telling the tale of a failing supermarket in a backwards town and following the daily events that take place within the supermarket.<\/p>\n \n\n \n Genre:<\/strong> Comedy<\/p>\n \n\n \n Main Cast:<\/strong> Keren Mor, Dov Navon, Noa Koler, Amir Shurush 3 seasons, 60 episodes, 25.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n 5.7 \/ 10<\/strong> (based on 451 reviews)<\/p>\n <\/div>\n \n\n \n In Israel. The very evening of her wedding in Israel, young Frenchwoman Natalie is accused of killing her husband. The French state sends Karim, a diplomat, to the scene to help her.<\/p>\n \n\n \n Genre:<\/strong> Crime, Drama, Mystery, Thriller<\/p>\n \n\n \n Main Cast:<\/strong> Nadia Tereszkiewicz, Reda Kateb, Dominique Valadi\u00e9, Ariane Ascaride 1 season, 7 episodes, 50.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n No reviews<\/p>\n <\/div>\n \n\n \n None<\/p>\n \n\n \n Genre:<\/strong> Comedy<\/p>\n \n\n \n Main Cast:<\/strong> Ori Yaniv, Yaakov Zada Daniel, Oz Zehavi, Netta Shpigelman 1 season, 7 episodes, 10.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n 6.3 \/ 10<\/strong> (based on 3447 reviews)<\/p>\n <\/div>\n \n\n \n Pia and two Israelis are kidnapped by IS terrorists in the Sinai desert, and threatened with death if twelve IS prisoners are not released.<\/p>\n \n\n \n Genre:<\/strong> Drama, Thriller<\/p>\n \n\n \n Main Cast:<\/strong> Anneke von der Lippe, Amos Tamam, Raida Adon, Andrea Berntzen 1 season, 10 episodes, 35.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n In the landscape of television, where shows come and go with the changing seasons, there are those that leave a lasting impression, carving out their niche in the hearts of viewers. “HaBe’er” (2020), an Israeli TV series, is one such show. Its unique blend of drama, cultural insights, and compelling storytelling sets it apart from the typical fare. This article will explore the various facets of “HaBe’er,” shedding light on what makes it a must-watch.<\/p>\n At its core, “HaBe’er” is a story about human connections, set against the backdrop of a small Druze village in northern Israel. The series delves into the lives of its residents, focusing on their personal struggles, communal ties, and the cultural nuances that define their existence. It’s a narrative that, while deeply rooted in the specificities of its setting, speaks to universal themes of love, loss, and the quest for identity.<\/p>\n One of the show’s strongest suits is its well-drawn characters. Each individual in “HaBe’er” is crafted with depth and complexity, allowing viewers to see beyond the surface. From the ambitious young woman fighting societal norms to the village elder grappling with the changing times, the characters are relatable and real. The performances are equally commendable, with the cast bringing these characters to life in a manner that’s both authentic and engaging.<\/p>\n These characters, among others, form the heart of “HaBe’er,” making the show as much about the people as it is about the place.<\/p>\n “HaBe’er” stands out for its respectful and insightful portrayal of Druze culture. The show doesn’t just use the village as a backdrop for its narratives; it actively incorporates cultural elements into the story, offering viewers a glimpse into the customs, beliefs, and daily life of the Druze community. This attention to detail adds a layer of authenticity to the show, making it an educational experience as well as an entertaining one.<\/p>\n These elements not only enrich the narrative but also provide an important platform for cultural representation on television.<\/p>\n “HaBe’er” excels in its storytelling, weaving together individual plotlines to create a tapestry of life in the village. The show tackles a range of themes, from the clash between tradition and modernity to the bonds that hold communities together. What makes its storytelling particularly effective is the way it balances these themes, never allowing one to overshadow the other. This nuanced approach ensures that “HaBe’er” is both thought-provoking and relatable.<\/p>\n Through its storytelling, “HaBe’er” invites viewers to reflect on their own lives and communities, making it more than just a source of entertainment.<\/p>\n Beyond its narrative and performances, “HaBe’er” impresses with its high production values. The cinematography captures the beauty of the village and its surroundings, while the music complements the story’s emotional beats. These elements work together to create a visually and aurally appealing show that enhances the overall viewing experience.<\/p>\n These production choices demonstrate the care and attention to detail that went into making “HaBe’er,” contributing to its success.<\/p>\n Since its debut, “HaBe’er” has garnered both critical acclaim and a dedicated fanbase. Its portrayal of Druze culture has been praised for its accuracy and sensitivity, while its storytelling has been lauded for its depth and complexity. The show has sparked conversations about cultural representation, community, and the universal themes it addresses, proving its impact extends beyond entertainment.<\/p>\n Many viewers have expressed their appreciation for the show’s ability to educate and inform while still providing compelling drama. The characters, in particular, have resonated with audiences, who find them relatable and engaging.<\/p>\n “HaBe’er” has shown that there is a hunger for stories that reflect the diversity of human experience, stories that are grounded in specific cultures yet speak to universal truths.<\/p>\n “HaBe’er” is more than just a TV show; it’s a window into a world that many viewers may be unfamiliar with. Through its rich storytelling, complex characters, and authentic cultural representation, the series offers something truly special. Whether you’re drawn to its drama, interested in learning about Druze culture, or simply looking for a show with depth, “HaBe’er” delivers on all fronts.<\/p>\n In a television landscape often dominated by formulaic content, “HaBe’er” stands out as a testament to the power of storytelling that is both specific and universal. It’s a reminder that, at its best, television can be a medium that not only entertains but also enlightens and connects us.<\/p>","protected":false},"excerpt":{"rendered":" 8.2 \/ 10 (based on 7 reviews) Four geeky fantasy buffs will have to become the heroes to save their town from unimaginable danger. The story begins one moonlit night when our heroes are pranked by their class bully and find themselves all alone in the forest surrounding the town. If that’s not enough, they …<\/p>\n
\nCreators:<\/strong> Yaron Arazi, Sivan Shiknagy
\nDirectors:<\/strong>
\nWriters:<\/strong> <\/p>\n\n\n\n\n\nShows Most Like HaBe’er (2020)<\/h2>\n\n\n\n
Kupa Rashit (2018)<\/h3>\n \n
<\/figure>\n \n\n \n
Creators:<\/strong> Nadav Frishman, Yaniv Zohar
Directors:<\/strong>
Writers:<\/strong> <\/p>\n \n \n \n Possessions (2020)<\/h3>\n \n
<\/figure>\n \n\n \n
Creators:<\/strong> Shahar Magen
Directors:<\/strong>
Writers:<\/strong> <\/p>\n \n \n \n HaRoman Sheli Im Daesh (2014)<\/h3>\n \n
<\/figure>\n \n\n \n
Creators:<\/strong> Noa Koler, Dima Konoplov, Michael Stern
Directors:<\/strong>
Writers:<\/strong> <\/p>\n \n \n \n The Girl from Oslo (2021)<\/h3>\n \n
<\/figure>\n \n\n \n
Creators:<\/strong> Kyrre Holm Johannessen, Ronit Weiss-Berkowitz
Directors:<\/strong>
Writers:<\/strong> <\/p>\n \n \n \n
\nThe Premise<\/h2>\n
Characters and Performances<\/h2>\n
A Look at Key Characters<\/h3>\n
\n
Cultural Representation<\/h2>\n
Examples of Cultural Insights<\/h3>\n
\n
Storytelling and Themes<\/h2>\n
Highlighting Key Themes<\/h3>\n
\n
Production Values<\/h2>\n
Noteworthy Aspects<\/h3>\n
\n
Impact and Reception<\/h2>\n
Viewer Responses<\/h3>\n
Conclusion<\/h2>\n