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<\/p>\n\n\n\n\n\n
Genre:<\/strong> Comedy<\/p>\n\n\n\n\n\nMain Cast:<\/strong> Tim Key, Alex Horne, Mark Watson, Luke McQueen \nCreators:<\/strong> \nDirectors:<\/strong> \nWriters:<\/strong> <\/p>\n\n\n\n\n\n4 seasons, 65 episodes<\/p>\n\n\n\n<\/div>\n\n\n<\/div>\n\n\n\n
Shows Most Like No More Jockeys (2020)<\/h2>\n\n\n\n\n\n\n
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Taskmaster (2015)<\/h3>\n \n \n
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<\/figure>\n \n\n \n 9 \/ 10<\/strong> (based on 14693 reviews)<\/p>\n <\/div>\n \n\n \n \n
Five comedians are set tasks challenging their creativity and wit. The tasks are supervised by Alex Horne but the Taskmaster, Greg Davies, always has the final word.<\/p>\n \n\n \n
Genre:<\/strong> Comedy, Game-Show<\/p>\n \n\n \n Main Cast:<\/strong> Greg Davies, Alex Horne, Kerry Godliman, Richard HerringCreators:<\/strong> Directors:<\/strong> Writers:<\/strong> <\/p>\n \n \n \n 13 seasons, 118 episodes, 60.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n
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Please Help (2021)<\/h3>\n \n \n
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<\/figure>\n \n\n \n 7.8 \/ 10<\/strong> (based on 105 reviews)<\/p>\n <\/div>\n \n\n \n \n
A normal girl trapped in a mundane and claustrophobic life as her grandmother’s only carer starts to develop mysterious and unexplainable powers.<\/p>\n \n\n \n
Genre:<\/strong> Comedy<\/p>\n \n\n \n Main Cast:<\/strong> Edward Bluemel, Anna Calder-Marshall, Ed Kear, Tim KeyCreators:<\/strong> Directors:<\/strong> Writers:<\/strong> <\/p>\n \n \n \n <\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n
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Man Down (2013)<\/h3>\n \n \n
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<\/figure>\n \n\n \n 7.6 \/ 10<\/strong> (based on 4704 reviews)<\/p>\n <\/div>\n \n\n \n \n
A deadbeat drama teacher gets a wake-up call when his girlfriend leaves him.<\/p>\n \n\n \n
Genre:<\/strong> Comedy<\/p>\n \n\n \n Main Cast:<\/strong> Greg Davies, Roisin Conaty, Mike Wozniak, Gwyneth PowellCreators:<\/strong> Greg DaviesDirectors:<\/strong> Writers:<\/strong> <\/p>\n \n \n \n 4 seasons, 26 episodes, 30.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n
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8 Out of 10 Cats Does Countdown (2012)<\/h3>\n \n \n
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<\/figure>\n \n\n \n 8.2 \/ 10<\/strong> (based on 6204 reviews)<\/p>\n <\/div>\n \n\n \n \n
A raunchy spoof edition of Countdown (1982) with the stars of 8 Out of 10 Cats (2005).<\/p>\n \n\n \n
Genre:<\/strong> Comedy, Game-Show<\/p>\n \n\n \n Main Cast:<\/strong> Susie Dent, Jimmy Carr, Rachel Riley, John PohlhammerCreators:<\/strong> Directors:<\/strong> Writers:<\/strong> <\/p>\n \n \n \n 22 seasons, 139 episodes, 30.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n
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The Cleaner (2021)<\/h3>\n \n \n
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<\/figure>\n \n\n \n 7.1 \/ 10<\/strong> (based on 4547 reviews)<\/p>\n <\/div>\n \n\n \n \n
Paul ‘Wicky’ Wickstead, a state-certified cleaning technician, is responsible for the removal of any signs of death from the crime scenes.<\/p>\n \n\n \n
Genre:<\/strong> Comedy<\/p>\n \n\n \n Main Cast:<\/strong> Greg Davies, Zita Sattar, Helena Bonham Carter, Jo HartleyCreators:<\/strong> Directors:<\/strong> Writers:<\/strong> <\/p>\n \n \n \n 1 season, 6 episodes, 30.0-minute runtime<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n\n
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Taskmastermind (2019)<\/h3>\n \n \n
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<\/figure>\n \n\n \n 6 \/ 10<\/strong> (based on 11 reviews)<\/p>\n <\/div>\n \n\n \n \n
None<\/p>\n \n\n \n
Genre:<\/strong> Comedy, Game-Show<\/p>\n \n\n \n Main Cast:<\/strong> Alex Horne, David Baddiel, Jo Brand, Ed GambleCreators:<\/strong> Directors:<\/strong> Writers:<\/strong> <\/p>\n \n \n \n 2 seasons, 10 episodes<\/p>\n <\/div>\n <\/div>\n <\/div>\n\n\n<\/div>\n\n
\nIn the landscape of television and online entertainment, where high-budget dramas and reality TV often steal the spotlight, a modest yet brilliantly engaging game show titled “No More Jockeys” has carved its niche. Launched in 2020, this show is a testament to how simplicity, wit, and camaraderie can create something thoroughly captivating. The premise is straightforward: three friends – Alex Horne, Tim Key, and Mark Watson – challenge each other in a game of categories and eliminations, but its charm lies in its execution.<\/p>\n
The Game’s Mechanics<\/h2>\n At its core, “No More Jockeys” is about setting categories and then navigating through them without getting caught in a trap set by previous declarations. A player will name a person (real or fictional) and declare a category that is now off-limits, such as “No more people who have walked on the moon.” The next player must then name someone who doesn’t fall into that or any previously mentioned category. It sounds simple, but as the game progresses, the layers of complexity and strategy deepen.<\/p>\n
Key Elements:<\/h3>\n\nTurn-based gameplay<\/strong>: Players take turns, ensuring everyone has an equal chance to steer the game’s direction.<\/li>\nCategory setting<\/strong>: Each turn involves setting a new category, which becomes a no-go area for subsequent names.<\/li>\nChallenges<\/strong>: If a player suspects a named person violates a category rule, they can challenge. A successful challenge eliminates the challenged player from the round.<\/li>\nMeta-game<\/strong>: Players often engage in psychological warfare, bluffing, and strategic category choices to outmaneuver their opponents.<\/li>\n<\/ul>\nThe Players<\/h2>\nAlex Horne<\/h3>\n Best known for his role in “Taskmaster,” Alex brings a mix of strategic thinking and comedic timing to the table. His approach often involves setting categories that seem benign but are strategically placed landmines for his opponents.<\/p>\n
Tim Key<\/h3>\n A poet and comedian, Tim’s play style is unpredictable. He blends abstract thinking with a keen sense of observation, making him a wildcard. His categories and selections often leave his opponents second-guessing their strategies.<\/p>\n
Mark Watson<\/h3>\n Mark, a novelist and comedian, offers a thoughtful approach to the game. He’s known for his ability to recall obscure facts and figures, which he leverages to navigate through the increasingly complex web of categories.<\/p>\n
The Appeal<\/h2>\n The magic of “No More Jockeys” isn’t just in its gameplay but in the chemistry between its players. The banter, the jokes, the moments of genuine surprise and revelation – all contribute to a viewing experience that feels like you’re hanging out with friends. It’s this relatability and the sheer unpredictability of each game that keeps viewers coming back.<\/p>\n