Shows Like Popetown (2005)

Popetown (2005)

5.1 / 10 (based on 336 reviews)

The series follows the doodles and scribblings of a student at school during the daily lessons. His drawings depict the life of Father Nicholas, who lives in a Vatican City , he is charged with being the handler for the Pope.

Genre: Animation, Comedy

Main Cast: Morwenna Banks, Mackenzie Crook, Kevin Eldon, Simon Greenall
Creators: Isabelle Dubernet, Éric Führer, Phil Ox
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1 season, 10 episodes, 24-minute runtime

Shows Most Like Popetown (2005)

House of Fools (2014)

Bob Mortimer, Vic Reeves, and Matt Berry in House of Fools (2014)

7.4 / 10 (based on 1400 reviews)

Surreal sitcom with Vic Reeves and Bob Mortimer. A series of anarchic affairs featuring the uninvited lodgers and guests that cause chaos and disruption in their home.

Genre: Comedy

Main Cast: Vic Reeves, Bob Mortimer, Matt Berry, Morgana Robinson
Creators:
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2 seasons, 13 episodes

Train Guy (2019)

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9.7 / 10 (based on 175 reviews)

A commuter’s video conversations with work colleagues documenting the details of business, banter and life in the 21st century.

Genre: Comedy

Main Cast: Bob Mortimer, Matt Berry
Creators:
Directors:
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1 season, 29 episodes, 1.0-minute runtime

The Life of Rock with Brian Pern (2014)

Simon Day in The Life of Rock with Brian Pern (2014)

8 / 10 (based on 394 reviews)

Mockumentary following aging rock star Brian Pern, former front-man of the legendary 1970s progressive rock group Thotch.

Genre: Comedy

Main Cast: Simon Day, Lucy Montgomery, Rhys Thomas, Nigel Havers
Creators:
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3 seasons, 12 episodes, 30.0-minute runtime

Detectorists (2014)

Mackenzie Crook, Gerard Horan, Toby Jones, Pearce Quigley, Laura Checkley, Divian Ladwa, Aimee-Ffion Edwards, and Orion Ben in Detectorists (2014)

8.6 / 10 (based on 17067 reviews)

The lives of two eccentric metal detectorists, who spend their days plodding along ploughed tracks and open fields, hoping to disturb the tedium by unearthing the fortune of a lifetime.

Genre: Comedy

Main Cast: Mackenzie Crook, Toby Jones, Rachael Stirling, Gerard Horan
Creators: Mackenzie Crook
Directors:
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3 seasons, 19 episodes, 30.0-minute runtime

Ordinary Lies (2015)

Max Beesley, Mackenzie Crook, Elen Rhys, and Michelle Keegan in Ordinary Lies (2015)

7.3 / 10 (based on 1067 reviews)

On the shop floor and in the offices of a motor showroom, desperation can lead to drastic solutions.

Genre: Drama

Main Cast: Cat Simmons, Jennifer Nicholas, Con O’Neill, Manjinder Virk
Creators:
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2 seasons, 12 episodes, 60.0-minute runtime


Popetown was a television series that stirred quite a bit of controversy before even making it to the small screen. This animated satirical comedy takes a jab at religious and political institutions by setting its story within the walls of the Vatican, albeit a highly fictionalized version. The show, which was originally intended for the BBC in the United Kingdom, found itself at the center of a whirlwind of debate, leading to its eventual shelving in its home country. Despite this, Popetown managed to find an audience elsewhere, leaving a peculiar mark on the landscape of adult animation.

The Premise of Popetown

At its core, Popetown encapsulates the daily goings-on inside a Vatican-like institution, but with a twist. The characters are exaggerated to the point of absurdity, with the central figures being a childish, tantrum-throwing Pope, corrupt cardinals, and a world-weary priest who serves as the voice of reason amidst the chaos. The show attempts to critique and satirize the power dynamics, hypocrisy, and corruption often associated with large, bureaucratic organizations, using the Catholic Church as its template.

The Controversy Surrounding Popetown

Before its release, Popetown garnered significant attention, not for its humor or artistic merit but for the controversy it sparked. Religious groups, particularly within the Catholic community, condemned the show for its perceived mockery of the Church and its leaders. The outcry was so intense that the BBC decided not to air the series in the UK, citing a desire to avoid offending religious sensibilities. This decision led to a broader debate about censorship, freedom of expression, and the role of satire in society.

Despite being shelared in its home country, Popetown found a life abroad. It was aired in countries like New Zealand and Germany, where it received mixed reviews. Some praised the show for its boldness and unique take on religious satire, while others criticized it for being heavy-handed and lacking in genuine humor.

The Characters of Popetown

Popetown introduced audiences to a cast of characters that were as controversial as they were colorful. Here’s a brief overview:

  • The Pope: Portrayed as childlike and utterly oblivious to the world around him, the Pope’s character was a direct jab at the infallibility often attributed to religious leaders. His antics and tantrums provided much of the show’s humor but were also a source of contention for those who saw it as disrespectful.
  • Father Nicholas: The closest thing to a protagonist, Father Nicholas is the rational, moral center of the show. He constantly struggles to manage the Pope and the corrupt cardinals, often finding himself in absurd situations.
  • The Cardinals: A group of greedy, power-hungry men who are more concerned with their own comfort and status than with any moral or spiritual guidance. They serve as a critique of those who use religion for personal gain.

Why Popetown Matters

Despite its short-lived nature and the controversy that surrounded it, Popetown is a noteworthy entry in the realm of adult animation for several reasons.

First, it represents the challenges and limitations of satire in the modern world. In an age where freedom of expression is highly valued, the backlash against Popetown raises questions about where the line is drawn when it comes to satire, especially concerning sensitive topics like religion.

Second, the show’s cancellation in the UK and its broadcast in other countries highlight the varying degrees of tolerance for controversial content across different cultures. This discrepancy speaks to the globalized nature of media and the complex interplay between local sensibilities and international content.

Lastly, Popetown serves as a case study in the power of controversy to shape the fate of creative works. The debate it sparked went beyond the show itself, touching on broader issues of censorship, artistic freedom, and the role of humor in society.

The Legacy of Popetown

Years after its initial release, Popetown remains a fascinating footnote in the history of television. Its ambition to tackle complex themes through satire, its brush with censorship, and the discussions it provoked about freedom of expression and the boundaries of humor have ensured its place in the annals of TV lore.

For fans of animation and satire, Popetown is a must-watch, not just for its content but for the story behind its creation and reception. It’s a reminder of the power of television to provoke, offend, and, most importantly, make us think about the institutions that shape our world.

In conclusion, Popetown was more than just a TV show; it was a cultural phenomenon that tested the waters of what is acceptable in satire. Its legacy lies not in the episodes that aired but in the conversations it started about religion, humor, and the fine line between satire and disrespect. Whether you view it as a missed opportunity for groundbreaking comedy or a misguided attempt at humor, Popetown undeniably left its mark on the world of animated TV shows.

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