Shows Like An Crisis (2010)

An Crisis (2010)

8.2 / 10 (based on 9 reviews)

Genre: Comedy

Main Cast: Conor MacNeill, Norma Sheahan, Michelle Beamish, Donncha Crowley
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2 seasons, 12 episodes

Shows Most Like An Crisis (2010)

Grace Harte (2017)

Grace Harte (2017)

7.8 / 10 (based on 34 reviews)

None

Genre: Drama

Main Cast: Kate Nic Chonaonaigh, Dara Devaney, Eoin O’Dubhghaill, Bríd Ní Neachtain
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1 season, 3 episodes

Smother (2021)

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6.5 / 10 (based on 1637 reviews)

On the rugged coast of County Clare, Val Ahern’s husband is found dead at the foot of a cliff the morning after a family party. The matriarch starts to dig into the family’s secrets to find out who might be responsible.

Genre: Drama, Thriller

Main Cast: Dervla Kirwan, Gemma-Leah Devereux, Niamh Walsh, Seána Kerslake
Creators: Kate O’Riordan
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1 season, 6 episodes

COBRA (2020)

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6.4 / 10 (based on 3814 reviews)

As widespread power outages cause chaos and threaten lives across the country, the COBRA committee comprised of the UK’s leading experts and politicians, gathers to find a way to turn the lights back on.

Genre: Action, Drama

Main Cast: Victoria Hamilton, Richard Dormer, David Haig, Lisa Palfrey
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2 seasons, 12 episodes, 261.0-minute runtime


In the realm of television, there are shows that capture the zeitgeist of their time, and then there are those that fly under the radar, quietly brilliant and deserving of more attention. “An Crisis” falls into the latter category. This Irish television series, which debuted in 2010, offers a satirical look at the corporate world, specifically focusing on the misadventures of a dysfunctional public relations firm. It’s a hidden gem that, despite its relative obscurity outside of Ireland, packs a powerful punch with its humor, character development, and commentary on corporate culture.

The Premise

At its core, “An Crisis” follows the story of a public relations firm that’s struggling to stay afloat amidst a series of self-inflicted crises. The show’s title, which translates to “The Crisis” in English, is a nod to the economic downturn Ireland was experiencing at the time, adding a layer of relevance and dark humor to the narrative. The series excels in its ability to weave together the personal and professional lives of its characters, creating a rich tapestry of comedy, drama, and everything in between.

The Characters

What sets “An Crisis” apart from other workplace comedies is its ensemble cast of characters. Each character is meticulously crafted, with their own quirks, flaws, and redeeming qualities, making them feel like real people rather than caricatures.

  • Setanta de Paor: The firm’s director, whose ego and ineptitude often lead to disastrous decisions. His character serves as a critique of leadership in crisis, embodying the Peter Principle in which people rise to their level of incompetence.

  • Dilín Ó Deamhas: The hardworking and competent employee who often has to clean up the mess left by her superiors. She represents the often-overlooked backbone of any organization, the reliable worker who keeps things running despite the chaos.

  • Fearnard Ó Dúlaing: The office sycophant, whose attempts to climb the corporate ladder often involve brown-nosing and backstabbing. His character is a commentary on the cutthroat nature of corporate environments.

These main characters, along with a supporting cast that includes an array of clients, competitors, and love interests, drive the narrative forward. Their interactions, conflicts, and resolutions offer a microcosm of the corporate world, with all its flaws and absurdities laid bare.

The Humor

Humor is the lifeblood of “An Crisis.” The show employs a variety of comedic techniques, from slapstick and visual gags to witty dialogue and satire. What makes the humor in “An Crisis” particularly effective is its basis in reality. The situations the characters find themselves in, while exaggerated for comedic effect, are not beyond the realm of possibility in the corporate world. This grounding in reality makes the humor relatable, allowing viewers to see the absurdity in their own professional experiences.

Cultural Commentary

Beyond its comedic elements, “An Crisis” serves as a sharp critique of corporate culture and the broader socio-economic climate in Ireland during the late 2000s and early 2010s. The show doesn’t shy away from tackling issues such as corporate greed, incompetence in leadership, and the dehumanizing aspects of the corporate world. Through its characters and plotlines, “An Crisis” holds up a mirror to society, inviting viewers to reflect on the state of their own workplaces and the economy at large.

Why It Matters

So, why should you care about a decade-old Irish TV show? First and foremost, “An Crisis” is an excellent piece of television, offering a perfect blend of humor, drama, and social commentary. But more than that, it’s a show that remains relevant today. The corporate misadventures and personal dynamics it explores are universal, transcending cultural and temporal boundaries. In a world where the absurdities of the corporate world are all too real, “An Crisis” provides a much-needed perspective, reminding us to laugh at the chaos and, perhaps, to think critically about how we navigate our own professional lives.

The Legacy

While “An Crisis” may not have achieved widespread international fame, its impact on those who have seen it is undeniable. It’s a show that sticks with you, thanks to its memorable characters, clever writing, and the way it captures the essence of a particular moment in time. For fans of workplace comedies and satirical humor, “An Crisis” is a must-watch, a hidden gem that deserves a spot alongside more well-known entries in the genre.

In conclusion, “An Crisis” is more than just a TV show; it’s a cultural artifact, a piece of entertainment that captures the zeitgeist of its time while offering timeless insights into the human condition. Whether you’re in it for the laughs, the characters, or the commentary, “An Crisis” is a show that delivers on all fronts, making it a worthwhile addition to your viewing list.

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