Shows Like A.U.S.A. (2003)

Scott Foley, John Ross Bowie, Amanda Detmer, Peter Jacobson, Eddie McClintock, and Ana Ortiz in A.U.S.A. (2003)

7 / 10 (based on 56 reviews)

Adam Sullivan is a promising young A.U.S.A. whose intelligence is bound with a gullible nature that presents an uphill battle in his pursuit of both career and romantic success. At work, he must argue cases against Susan Rakoff, a beautiful and savvy public defender who regards the A.U.S.A.s as enemies of the people. Adam is also challenged by his reluctant supervisor Geoffrey Laurence and a wide-eyed paralegal Wally, whose social ineptitude is matched only by his newfound devotion to Adam. Working alongside Adam as an Assistant U.S. Attorney is Ana Rivera, a former cop with the street experience to compensate for Adam’s occasional naïveté. Also in Adam’s life is his roommate Owen Harper, a trusted friend who reminds Adam of the lighter side of life outside the world of federal prosecution.

Genre: Drama, Comedy

Main Cast: Scott Foley, Amanda Detmer, Eddie McClintock, Ana Ortiz
Creators: Richard Appel
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1 season, 8 episodes, 30-minute runtime

Shows Most Like A.U.S.A. (2003)

Backstrom (2015)

Rainn Wilson in Backstrom (2015)

7.3 / 10 (based on 9676 reviews)

The Portland Police Bureau’s Elite Special Crimes Unit is led by Det. Lt. Everett Backstrom, an alcoholic and smoker who is in failing health, but takes on cases in special circumstances.

Genre: Comedy, Crime, Drama

Main Cast: Rainn Wilson, Genevieve Angelson, Kristoffer Polaha, Page Kennedy
Creators: Hart Hanson
Directors:
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1 season, 13 episodes, 44.0-minute runtime

The Goodwin Games (2013)

Scott Foley, Becki Newton, and T.J. Miller in The Goodwin Games (2013)

6.6 / 10 (based on 2714 reviews)

Three estranged siblings are brought together once again at their father’s funeral. His last will states that they must bond as a family via games thought up by their late father or they won’t inherit the $23 million he has left them.

Genre: Comedy

Main Cast: Becki Newton, Scott Foley, T.J. Miller, Melissa Tang
Creators: Carter Bays, Chris Harris, Craig Thomas
Directors:
Writers:

1 season, 8 episodes, 30.0-minute runtime

People of Earth (2016)

Ana Gasteyer, Nancy Lenehan, Drew Nelson, Brian Huskey, Wyatt Cenac, Tracee Chimo Pallero, Alice Wetterlund, Luka Jones, and Da'Vine Joy Randolph in People of Earth (2016)

7.7 / 10 (based on 7779 reviews)

Journalist Ozzie Graham is skeptical when he investigates a support group for oddballs who think they have been abducted by aliens — yet the more he learns, the more confused, intrigued, and seduced he becomes.

Genre: Comedy, Mystery, Sci-Fi

Main Cast: Wyatt Cenac, Luka Jones, Alice Wetterlund, Michael Cassidy
Creators: David Jenkins
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2 seasons, 20 episodes, 30.0-minute runtime


In the world of TV, every once in a while, a show comes along that, for one reason or another, doesn’t quite catch the wave of mainstream success. “A.U.S.A.” is one such show. Premiering in 2003 on NBC, this sitcom was set in the bustling environment of the United States Attorney’s office in New York City. Despite its promising premise and a talented cast, “A.U.S.A.” had a brief run before it was canceled. Let’s take a closer look at what made this show unique, why it might not have taken off as expected, and why it could still be worth your time.

The Premise

At its core, “A.U.S.A.” was about the life and trials (both in the courtroom and out) of Adam Sullivan, a young, idealistic Assistant United States Attorney played by Scott Foley. The show attempted to blend humor with the procedural drama of the legal world, a mix that has worked for other shows in the past. Adam’s efforts to navigate the complexities of his cases, along with his interactions with his quirky coworkers and his romantic interest, provided the main fodder for the series.

The Cast

Scott Foley, fresh off his role on “Felicity,” brought a likable everyman quality to Adam Sullivan. Supporting him was a cast that included Amanda Detmer as Susan Rakoff, Adam’s love interest and a defense attorney; Peter Jacobson as Geoffrey Laurence, Adam’s antagonistic yet sometimes ally colleague; and Ana Ortiz as Ana Rivera, Adam’s assistant who often provided comic relief. The chemistry among the cast was apparent, and their performances were often cited as one of the show’s strengths.

What Went Wrong?

So, why didn’t “A.U.S.A.” manage to stick around? Several factors contributed to its short lifespan.

Timing and Competition

First, timing is everything in television, and “A.U.S.A.” found itself in a tough spot. It premiered during a period when audiences were gravitating towards more serialized dramas and reality TV. The appetite for a light-hearted legal comedy just wasn’t there, especially in a TV landscape dominated by heavy hitters and genre-defining series.

Marketing Missteps

The marketing for “A.U.S.A.” also left much to be desired. NBC struggled to convey the show’s tone and appeal in its promotional efforts, leaving potential viewers unsure of what to expect. Was it a comedy with legal jargon, or a courtroom drama that happened to have jokes? This confusion likely deterred some viewers from giving the show a chance.

Critical Reception

While not universally panned, “A.U.S.A.” received a lukewarm reception from critics. Some praised its cast and the occasional clever writing, but many felt that the show didn’t fully utilize its premise. The balance between humor and legal drama was a tricky one to maintain, and not all viewers were convinced that “A.U.S.A.” had found the right formula.

Why It Might Still Be Worth Watching

Despite its shortcomings and eventual cancellation, “A.U.S.A.” has its charms and reasons why it might deserve a spot on your watch list.

The Cast’s Chemistry

The interactions among the cast members are genuinely enjoyable. Scott Foley’s earnest portrayal of Adam Sullivan makes him easy to root for, and the supporting characters add depth and humor to the mix. Their dynamics reflect the show’s potential to blend comedy with character-driven storytelling.

A Snapshot of Early 2000s Television

For those interested in the evolution of TV shows, “A.U.S.A.” offers a glimpse into the early 2000s landscape. It’s a period piece of sorts, reflecting the styles, attitudes, and television trends of its time. Watching it now can be a nostalgic experience for those who remember the era fondly.

Unfulfilled Potential

Lastly, there’s something to be said for exploring what might have been. “A.U.S.A.” had potential that, with more time and perhaps a bit of retooling, might have been realized. For TV enthusiasts and those interested in the behind-the-scenes aspects of television production, examining shows like “A.U.S.A.” can provide insights into why some series succeed while others falter.

Final Thoughts

“A.U.S.A.” may not have left a significant mark on the television landscape, but it’s a show that had its moments. Its blend of comedy and legal drama, combined with a likable cast, gives it a certain appeal. While it’s easy to see why it didn’t become a hit, it’s also clear that there was more to “A.U.S.A.” than its brief run might suggest.

In the end, “A.U.S.A.” is a reminder that not every show gets the chance to reach its full potential. Whether due to timing, marketing, or a myriad of other factors, some series end up as footnotes in TV history. However, for those willing to dig a little deeper, there are often gems to be found, and “A.U.S.A.” might just be one of them.

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